Wednesday, December 17, 2008
Tom Lambert's Christmas concert
Last Sunday, I went to the Wilda Marston Theater for Tom Lambert’s Christmas concert. Tom Lambert was at the grand piano, Liz Santoro on bass, Bill Barry on sax, I don’t know who the drummer was, blind guitarist Tony James was the guest musician, and vocalists were Bridget Sullivan and Elena Gonzales.
Tony James played a solo piece that just choked me up upon hearing some of the substitute chords he created. His wife said she sometimes does that too. I also asked him if he knew any bass players that can play a slapping electric bass for a new arrangement of a piece I’m going to record (Joe Levey’s “Cool Daddy Joe”). He knew one from years ago but couldn’t remember his name. Later, when I asked Tom, he gave me the name of Carl Wilhelmi.
Bridgett Sullivan’s vocals were crisp, and ringing as Sunday bells. Elena Gonzales’ tone, was deeper and smokey. She maintains surprising control singing at the lower end of her vocal range. When she sang one song in Spanish, she reminded me of Sade. I was chatting with her afterwards but never told her that since seeing her last August, I’d been planning to ask her to sing “Dreamsville” on my CD.
By the way, Tom is probably in Cuba right now. He told me he’d always wanted to go there and he’s been studying their rhythms for several weeks.
Wednesday, November 26, 2008
THE O'BRIEN'S GROUP
Monday, September 29, 2008
Oct 15 Reading from "Lazarus"
Dewey
Fire Service Conference, Juneau, Alaska
Sunday, September 14, 2008
"Emotionally Disturbed"
Dewey
Sunday, August 24, 2008
Alaska State Fair Gig
Last night at the State Fair’s “Sluice Box” the Matt Hammer Band scored a knock-out. We played for 2 hours and rocked the house. On stage was Matt Hammer, Lona, John Nyman (drums), Frank Iarossi (bass), Stu Schulman (pedal steel), Doc Schultz, Ed Christiansen (lead gtr). Not there from the recording sessions of Surreal Sessions were Kurt Rieman (organ), Mike Merrill (tenor sax), Kyle Stersic (alto sax),and Paul Schlomer (harmonica). I noticed Matt’s daughter snapping some photos but I don’t know if they will make it onto his website or not.
Friday, August 8, 2008
Poetry Gig
The Snow Goose Gig
A real web log.
Contact me at dewey1@mtaonline.net
Tuesday, July 15, 2008
The Blue Ball (the one living dot)
Reading Simon Winchester’s A Crack In The Edge Of The World (Harper Perennial), about the ’06
Snapshots (of 34 years on the line)
When I began writing my 3rd book, I started with some exercises based on my memories. I remarked to myself that people remember, not in epochs, but in snapshots. So I jotted down numerous snapshots. Then in the year it took me to write the book "Fire and Ice" I'd forgotten about my list of snapshots and never inserted them in the book. There's not enough to justify another book, but too dear to me to throw away like table scraps. So, I thought I'd put them here. These are some snapshot taken during my 34 years in firefighting, ambulance runs and search and rescue operations in
into random flashes of scenes in no order nor logic.
Mostly, we remember, not in epochs but in snapshots.
Sometimes I flip through these snapshots after I turn off the light.
I've seen the ER doc absently brush chunks of vomit off her smock at
as the bleary-eyed medics stood like numb statues,
the snow flakes melting on their jackets.
to offer protection against the moaning wind.
I've stood in front of the crowded Saturday night sidewalks
as our medics picked him foul and witless from the pavement.
Sympathetic Joanie; sober and meticulous Vicki; amused Kyle;
backdropped by the jovially bellowing crowd
Joanie always saw the best in everyone,
always had a kind and uplifting comment for the least of us.
And she meant them.
Regarding others, for her the glass was always half full and filling up fast.
Vicki, the captain, would be the last to seek peer approval.
She was straight forward and never bothered seeking homogenized words.
She laughed readily or spit out admonishments whenever needed.
A simple, early-evening house fire.
Gently blowing curtains of gray smoke
wisping through the sidewalk crowd –
silent people with handkerchiefs to their noses.
A rescue operation in the dead of winter
and the fog of exhaled breaths puffing in the moonlight
while everyone else in town slept
The father of a dead child can't absorb the finality of it,
clutches the child's shoe and can't let go
Young people committing suicide….
No – too sterile
Young people killing themselves.
streams of rain water running off helmet brims and
Glistening on the black coats under the stark lights of the fire engines.
Looking up at the streaks of rain cutting through the harsh street lights.
The middle-aged transient man who lived his life alone,
found dead in his bed, looking like an over-inflated rubber doll.
He was swollen and dark, completely naked
except for the white glove on his right hand.
We strangers had to move him.
His final humiliation.
The silent and beaten crew at the fire station, drinking beer,
glances at me because I'm supposed to say something,
but I'm too beaten to think.
Our most veteran member says, "God decides who lives and dies. You don't."
and puts an end to it.
Monday, July 14, 2008
Jammin' at Eagle River's "NORTH SLOPE"
In the late 60’s it became synonymous with the intellectual – mystical in it’s depth…peeing into the soul. Well over-dramatized. But many art forms, accredited with deep introspection created awe in spectators. Authors from Tennessee Williams to Jack Kaorak donned facial expressions and postures of world-weary wisdom. Well, why not? I feel nostalgic thinking back on those days. Hemingway was an icon, the act of writing was revered, peering into the soul of man now days is clinical and cynical. Miles Davis and John Coltrane were Ayatollahs of a music form that kept people spell-bound. Listeners hung on every note. Two or four bar phrasings were composed like lines of poetry. The tone, texture, volume, and attitude of the musician were like reading the lines aloud. The music itself spawned poetry and painting. Album covers like Mancini’s “Peter Gunn”, or a Getz/Bryd album sported paintings.
The works of composers that have survived for four hundred years, the classical works, have been studied and performed all these centuries are listened to with reverence. But listening to one pianist playing a Beethoven piece, is not much different than listening to another pianist playing the same piece. It has occurred to me that it is the mastery of finger dexterity rather than creativity: Mechanical repetition leading to duplication. On the other hand, the Modern Jazz Quartet, played Bach in an entirely unique way. With a classical orchestra they played it through completely. Then the orchestra backed away while the MJQ improvised spontaneously, meticulously running riffs over the chord changes until it was time for the orchestra to join in again to play it as written again. One jazz pianist was caught playing classical pieces one afternoon in the night club he’d been performing at. He said he did it to practice. I have a CD with jazz flutist Hubert Laws playing Beethoven’s Moonlight Sonata. Not so rare. Now hearing a classical musician play jazz, well, that would be an oddity.
PAULIE WALNUTS AND THE CAT
Tony “T” Soprano is the head of the New Jersey mafia family. His enforcer is Paulie Walnuts. Paulie’s been around a while and was the enforcer for the previous family boss, Tony’s dad. So now Paulie is in his sixties but tries to keep in shape by lifting weights. Paulie was the toughest member there even when shooting an old colleague and friend “Big Pussy”.
Well, some of the guys from Tony’s crew sort of adopted an orange cat that they found and the cat hangs around the office which is a back room of the strip club, Bada Bing. But in the office the orange cat sits motionless on the table staring at the wall-mounted photo of recently deceased gang member, Christopher.It gives Paulie the creeps who, at one point, was going to chase it away with a broom. The photo was moved, and the cat stood at the new location and stared at it.
Near the end of the episode, Paulie in near panic reveals to ”T” (while they sat at the sidewalk table in the sun) that when he (Paulie) went to meet a guy in the wee hours at the deserted Bada Bing, he swears he saw—for just a second—the Virgin Mary in there. Paulie had previously been humbled having barely survived prostate cancer. He reveals now his ominous feeling of doom when the cat is around. He’s certain that with his murderous past, his afterlife will be really fucked. Anyway, “T” doesn’t get it, and just blows it off. Paulie suspects the cat knows something that no one else knows. The cat follows him around whenever it isn’t staring at the photo of dead Chris.
You’ve been falling apart lately, Paulie Walnuts.
Being the same age, I understand.
But ‘dis takes the fockin’ cake.
Aw, Paulie…Christopher’s cat visits Chris’s distant dimension,
But straddles the space to yours.
And even if nobody else knows who he is,
you do.
But you can’t scat the cat with your broom.
He, in his omnipotence, is not the devil.
You see, the devil is an evil creature;
But this cat’s not that personal.
He is merely death
Indifferent
And patient
And certain
And did I mention patient?
Well, if that ain’t enough to unmake a made guy,
how about seeing the Virgin Mary in a deserted titty bar?
Hell, I’d fall apart, too.
But I know where you’re coming from:
When you look up and see that
there’s more behind you than in front of you, and
see you cannot dictate how the game will end.
Your prostate heralds your fortress crumbling,
You sense worms breeching the walls.
Your pumping iron makes rusty sounds
in your yellowing years.
I can see more scalp through your pompadour.
Cold fear slowly cinches your throat, you start freezing up.
You were immortal in your strength when you shot Big Pussy, you big pussy.
Now humbled and hugless, creaking under the weight of your foreboding,
distant “T” cannot grasp the depth of your dread.
Your Brando eye-flick of fear asked father “T” to
repair your falling fortress with his godfatherliness.
Then you sighed resigned to his inadequacy
Death approaches on cats paws and snuggles…
snuggles the sidewalk sun, patient in his orange eyes.
Perhaps the cat’s like me; of them all, you were my favorite.
Perhaps it’s small comfort to know, Paulie,
we’re all afraid of cats.
I was thinking, maybe the Virgin came to tell you
That God bestows his love even unto pricks.
Scamper back to ‘da Bing
And don’t forget your rosary.
It may not be too late for you
To get unfucked.
DARWINISM
Ben Stein produced a movie "Expelled: No Intelligence Allowed" lamenting how teachers who teach creationism face termination in high schools and universities. Then he created a blog where folks could comment on the movie's content. I was told about it and read it. Holy shit. These two side really hate one another. Religious fundamentalists are nuts and Darwinists and smug and condescending (and generally not that well informed). So naturally, I had to put my 2 cents worth in. Either people have grown tired of Steins blog and no longer read it, or those that do don't want to comment on my statements, which follows...........
I don’t want to detract from
As an aside, and in line with what Ben Stein maintains,
Anyway, back to the topic. Not only was Wallace more astute than